Monday, October 19, 2009

Debacle in Champions Trophy, the Sri Lankan Perspective




The people still tend to think that Cricket, especially the Sri Lankan Cricket is a serious game. If it is true then the bowler who made chaos among the opponent batsmen with his mystery bowls should deliver goods as the expectations of the fans. But what happened? Ajantha Mendis was criticized for his poor performance in the field even by the television commentators. Even slinger Malinga didn’t show any betterment. The bowling department of the Sri Lankan team showed that they don’t know how to bowl in greeny fast wickets in a seaming environment. Does it also show poor performances of many specialist coaches who comprise in every tour? It’s up to the officials to think, because fans expect success each & every occasion.

But, the condition is very different than it sees. When a bowler emerges from a rural or suburban area, he has to face with many different encounters in the game of Cricket as it centers in Colombo. As, the capital made huge impact on the game after the victory of the 1996 world cup, the lives of the cricketers have been changed. As a result many parents tried to make their sons cricketers. But, it is only a fantasy world for them. According to this fantasy the players should deliver goods each and every time they play. They should behave as true gentlemen with good discipline and consistency. The real aspect of this world seems quite different. That is revealed by Mendis and Malinga. The contrast between bourgeois Sangakkara and two of the above shows this difference. The surrounding related to Cricket is certainly misleading. But if they turn into the illusory nature of the game, they don’t need to play Cricket but can play Cricket as a guise of Cricket. The balance between those is an essential aspect of a nowadays Cricketer. When the officials come across this, at the same time they feel that they are too late. But they must have the courage as the ACB officials who sent all rounder Andrew Symonds home from English soil during the T20 world cup. But, god cannot intervene in those matters if the officials are in the same mindset with the players. You can work until you think god is invisible, if you believe in the materialized version of god then you will fail.

The delivery of a slinging action can skid through a flat wicket, but in a fast wicket it does not behave like that. If a bowler bowls in a good length although he doesn’t employ a good line, then his effort will remain futile. There are two parts in a success of a present day Cricketer. The old theory “practice makes you perfect” is one. The other is the specialized training through innovations with the help of technology. Even Dillyscoop shot invented by Tillekeratne Dilshan is a result of specialized training and commitment. One can remember the shots made by Lance Klusener during the world cup in 1999. The success behind the transformation of the pace bowler Mitchell Johnson to a reasonable all rounder and the story of orthodox spinner Danielle Vettori, who became an essential player for the Kiwis are the results of collaboration of above two aspects. If he is a mere bowler, how does he change the condition of the matches against Sri Lanka and the second semi-final against Pakistan? Without his performances as a batsman, the Kiwis would have been ended up as the losers.

The individual performances can emerge, but they remain useless unless they serve for the team. With the individual performance, one can emerge as best batsman or best bowler in the rankings. In an imaginary world you can enjoy with the above facts. But in reality you have to face the bitter truth. Fantasy only supports you to mask the chaos of the reality. When one comes to the edge of fantasy, he or she has to face the real. That’s what happened in South Africa. The press in Sri Lanka also works on imaginary. On the paper you can beat any team, but the ground reality showed it is different.

The traumatic experience of the success of the New Zealanders has shaken the cricketing world. They beat Sri Lanka, England and Pakistan. As underdogs and also as the No.07 team in the ICC ODI rankings, I personally believe that no one bet for the Kiwis in the Champions Trophy. Somehow they made entry for the finals with their neighbouring opposition Australia. I remember the commentators said that Pakistan had better variety in bowling department and the well knit unit of batsmen. On the day a team plays better cricket it undermines the opponent. That’s the funny thing about the ODI cricket. But, I like to mention, these funny aspects depend on the recent performances of the individuals and on the hyper-reality created by the media, especially by the television coverage. In a true cricketing sense, is there any validity for the counter of sixes hit throughout a tournament by the batsmen or how far the ball went when a batsman hit a six? The thing that one should consider is a batsman will trap to a bowler when he sees an excess on him. It is in his unconscious. If someone asks a batsman “hey, why did you hit that shot? it was a trap, didn’t you see that fielder had been positioned there? “. His answer will be “yes, I did see, but I don’t know why I hit that shot”. That is how a batsman falls on excess. Even he doesn’t know why he had hit that shot.

We can put that into England - Sri Lanka Group-B match. When the hard hitting openers of Sri Lanka were there, the people hoped to see destructive style of batting. But, what happened? They got caught in the way of bowling of Englishmen, especially by James Anderson on that grassy wicket. Why did Sangakkara hit that pursuing shot as the captain, when Sri Lanka was in dire straits? I can say he doesn’t have an answer. Was it his carelessness? In simple terms the answer is Yes. But the true answer is No. That was his unconscious. Hence, now we have a light to see, how the Kiws came to the semi-finals and why the Pakistanis fell into the Kiwis.

In the case of Ajantha Mendis, we know that he consists an excess. But during the tournament he showed he is an ordinary bowler and a player (because of his fielding as well). All the teams have been scrutinized his bowling through video footage and the wickets in South Africa didn’t assist much in spin bowling. That was the reason for the failure of Ajantha Mendis. When the physical or external parts don’t support him he fails because he hasn’t done his part well. Why do we allow external factors to dominate? We can see many Sri Lankan bowlers kissing the bowl & bat, making cross sign before bat or bowl. Some Sri Lankan players are like a jewellery shop. How many of them wear a talisman? Do they think they score runs and take wickets because of the magical power of a talisman and rituals? Then the question is to what extent do their abilities take part on their performance? These external factors are very evident in the past of Sri Lanka. We see how the outside factors changed the mode of production in Sri Lanka. Hence, this is not a simple matter. It is inherited in our lives. They don’t believe on themselves instead they believe on external factors. Some people here are always hoping that external factors like god, stars may change their lives and doing nothing by their own to change the situation. Why some of the Sri Lankan anticipate of such kind of external factors even without a simple try to change the prevailing situation or condition? If you challenge their belief definitely you have to face their violence. But one thing, Cricket has made your life easy and enjoyable.

The reason for the successful inning of Jessy Rider with an injury in the Sri Lanka – New Zealand match, was that he played a fantasy role of the Sri Lankan players. The same can be applied to the extravagance performance of Angelo Mathews. But I need to make a point here, at the start of the carrier of the Ajantha Mendis; fans saw him as the way that we see Mathews now. At a decisive juncture, Mendis showed that he was not ready to wear the cladding that he wore earlier. Because he convinced that it was too hot to handle the nimbus of the nowadays cricket. That will be the challenge for Mathews as well. The time will tell.

Saturday, September 19, 2009

Two Stage Dramas are going to ban?



The two stage dramas that showed in the second round of the State Drama Festival 2009have been halted further showing. The dramas are "Ahinsakanyange Aramaya" by Sanjeewa Upendra & "Gendagam Uyana" by Ayesha Dissanayake.
"Ahinsakanyange Aramaya" had won awards in the Youth Drama Festival this year. "Gendagam Uyana" is an adoptation of Kamala Das work.

Monday, August 3, 2009

Making of Babyland (No More Aduts)



According to the LANKAENEWSPAPERS Sri Lankan cultural officials are going to ban all the adult related movie screening in Sri Lanka.

full article

Here on all the Sri Lankans should wear sunsuit & put a teat on their mouths. No more adults in the country and this is the first step towards the dream of making of BABYLAND.

Michael Jackson!!!!!!


The King of pop died on the 25th of June 2009.

Michael Jackson changed the performing art; was a character of sexuality; cultural intervention to the mainstream politics.

MICHAEL,
YOU ARE AN ERA.
THANK YOU!!
GOOD BYE!!!

Friday, May 1, 2009

Tissa Abeysekara



The veteran film maker Tissa Abeysekara passed away after brief illness. He made three films during his career. "Karumakkarayo", "Maha Gedara" and "Viragaya" have won several awards in the several film festivals in Sri Lanka. He is also a well known scriptwriter. "Nidhanaya" and "Welikathara" are placed among his best scripts. He won the Gratien Prize for his novel "Bringing Tony Home" in 1996.

Monday, December 22, 2008

Ajantha Mendis



Mendis - Yet to face challenges

Mendis is a name that is always familiar to the Sri Lankans during last few years. Mendis Special is a brand of liquor that common man consumes. Vernon L.B. Mendis was a renowned state official. In cricket, it was Duleep Mendis, who created history as he guided Sri Lanka to her first ever Test cricket victory in 1985. The match was against India played at the P.Saravanamuttu Stadium. Now, the time has come for Ajantha Mendis. He is the talk of the town.

Between the periods of Duleep Mendis and Ajantha Mendis considerable changes befell at micro and macro levels in the socio-economic conditions in the country. The state intervention to the economy has been curtailed. The notion of the nation state becomes fallacious in the context of the globalization. Customs, cultural values have been restructured by the relations of the capital. Why not, the game of cricket!

When Duleep Mendis was the captain of Sri Lanka, the governing body, which ministrate the players was the Board of Control for Cricket in Sri Lanka (BCCSL). When Ajantha Mendis plays cricket it is Sri Lanka Cricket (SLC). The ulterior behind the BCCSL were the class structure and the politics. Mean while one can see the foundation of SLC is capital, politics and the night of the world. The recent elections uncover the truth.

The dispute over wages of the players is an experience that reveals the influence of capital in present structure of cricket. Some of the players have consented to play in next IPL series despite the SLC is arranging a cricket series in England at the same period of time. The chairman of the Interim Committee Arjuna Ranatunga, who captained Sri Lanka during the World Cup Series in 1996, told Sinhalese daily that the priority should be given to the country than the personal benefits. The above two confrontations manifest the nexus of cricket and capital in a simple form and how it challenges the traditional administrative structure.

Another important aspect that immensely has an impact on Sri Lankan life is the ongoing war in the country. Been a military officer Ajantha Mendis would have been famed as a warrior, though the much famous “carom ball” turned his destiny. As an accreditation for his performance in the Asia Cup tournament, the commander of Sri Lanka Army promoted Mendis from soldier to a Second Lieutenant. If the term “Tamil” disgust the Sinhala chauvinists, the term “soldier” will be terrorized the Tamil community. Albeit, names like Muttiah Muralitharan and Ajantha Mendis derive opposite meanings to the above terms. True, it is not a function of cricket, but it discloses how the cricket structured the ideology of the people.

Technology and media are another two elements that dominated the cricket. Once, this writer can remember at an Indian variety show a performer told that half of the Sachin Tendulkar’s success is Tony Greig. He made the comment as a joke. However it unveils a truth. How the cricket has transformed into a hyper-reality. Media produce larger than life images of the cricketers. The warm and down to earth images expired as cold images emerge with commentaries, advertising and promotion campaigns. When above facts are taken into account one can say cricket is a fiction.

In an interview with a Sinhalese weekly “Divaina”, Mendis said that cricket has changed his life. Mendis says “Cricket has changed my life. It helps me to get to know lot of people. Especially cricket keep me busy.” Anyone’s life can be changed or altered by the determinants like media and high tech games. Simple life becomes very complex. Following the world cup victory in 1996 under the captaincy of Arjuna Ranathunga, who is the present chairman of the interim committee of cricket in Sri Lanka, the barriers eradicated and capital inflow into cricket started. The passion for cricket was evident among the people. The intention of the parents on their children shifted from education to cricket with the apparent material success.

When the English weekly “Sunday Observer” interviewed Ajantha Mendis, he responded to a question regarding the response from opposite sex. Mendis says “Quite a big and impressive response. Girls call me but I do not know how have they found my contact number. When girls see me they purposely look at me and smile with me. I don’t know them but I smile with them.”

How a simple man from Colombo suburb see the response from opposite sex. According to him it is a strange feeling, when a girl who never known smiles with him. He is surprised. It is the difference between media made Mendis and the true subject. Girls look at fictional Mendis and true Mendis speaks to the paper. On this issue he is very honest. However the question is how he manages to confront such situations in near future. It is not a task like clean bowls Yuvraj Singh with his “carom ball’. It is a real challenge for him, when think about the fate of the some well known personalities.

He has an unorthodox style of bowling. In a cricketing sense he has something extra than an orthodox spinner. It is his production. Consequently, batsmen keep falling to him. His grip is different. At the point of delivery he flicks the middle finger. Media yclept it as “carrom ball’. In cricket he has the ability to dethrone Pontings, Tendulkars and Pietersons. However in a social sense he is yet to be a star. Thus he has to procure more qualities to pickup desires of the others. This challenge is an impersonal one. Accordingly, it is very inhuman. We called it capital. It is the real challenge for the Ajantha Mendis in the era of consumption and bliss.

Aksharaya


This article was written by Aideen McDonald (artist / activist reconciliation) of Ireland.

Throughout the world people have to cope with conflicts, from the global to the personal level. Artists of many cultures and eras have the harsh reality of conflicts through its objects and images interpreted to aesthetically pleasing or provocative manner, or both.
The topics range from societal, religious and political battles to more individualistic competitions and internal dialogues, often eloquently on the way from legends or literature. Political and social changes are reflected in the arts, including topics which the rise of democracy or stem the growing insight into social ills.
Legend and literature, especially if the scenarios and plot lines are loaded conflict, have always inspired artists. Individual efforts reflect the human condition of conflict and resolution, the escape of the case and the quest for harmony. Artists have such internal conflicts, often their own, in many forms.
Asoka Handagamas film Aksharaya or fire letter follows this tradition. The Legend of Oedipus, with its deep psychological and social challenges which they heraufbeschwört, is a richly complex material for a film that made in Sri Lanka, where the need to address social conflicts and transform, is larger than ever . The arts should always be a source of cathartic expression. Before zurückzuschrecken difficult issues through artistic censorship is never the human urge to ask questions at the press.
In Ireland we had to suffer under censorship, so that sometimes some of our greatest artists into self-chosen exile went. James Joyce and his masterpiece Ulysses is one such example. Because in the United States and the United Kingdom up in berbote was the 1930s, Ulysses was published in 1922 in Paris. The plant was on the blacklist of duty and Joyce moved to France.
The title plays on implicit and explicit parallels and is inspired by the Greek epic same named. The substance of the book is also provocative to implicit and explicit manner. Die The controversies and trials around the plant ranged from obscenity court processes due to prolixity, almost warlike conflict interpretation of the text. In the Irish press of the time was to read that the book is a "perverse spinner" was written, "which refers to specialized literature latrines" did. Today, Ulysses as perhaps the most acclaimed novel in the pantheon of modern art.
The Ulysses in the Filmveersion assisted by the American director Joseph Strickland from the year 1967 was 33 years long banned in Ireland. Only in 2001, she was allowed unlimited shown. The state censorship authority believed that the reputation of the Government pity if the film any Irish audience would be shown. Nevertheless, the film received an Oscar nomination for best book adaptation.
In 2004, a new, award-winning adaptation with the name Bloom disseminated internationally. The Irish production Bloom and his source of inspiration, of Ulysses, are now source of artistic and national pride for the Irish. We need each other and learn from the history. It would be a great loss for Sri Lanka, 82 years to wait, until finally Asoka Handagama and his epic film Aksharaya recognized and appreciated.
Aideen McDonald, artist / activist reconciliation / Irish school for ecumenism, Dublin, Belfast – Ireland

http://www.humanrights.de/doc_de/countries/sri-lanka